SPOOKY PASTA, November 10th
Agnes Maagaard, Amalie Malthe Ludvigsen, Anna Aagaard Kofoed, Anna Bjørg Andersen, Birta Hlíf Gunnarsdóttir, Carl Holck-Larsen, Caroline Høgild, Cecilie Kvorning, Halvard Hauge Hornes, Katrine Amalie Jacobsen, Line Høgh Frandsen, Lise Riber Lucassen, Luca Fedele, Magdalena Kremers Bugge, Magnus Lind Nielsen, Mia Falbe-Hansen, Milo Myers Laris, Nicolai Fürstnow, Pernille Øiestad Myrvold, Tine Holmen Thomsen, Une Persdatter Brekke, Zander Vind
(curated by Cecilie Skov and Gisa Pantel)
I heard from my five year old cousin’s grandmother’s gynocologists’s
gynecologist’s ex-girlfriend’s friend’s prostitute’s father-in-law’s
childhood-friend’s aunt’s neighbour’s cat’s vet’s first wife’s former
colleague’s nephew’s kindergarten-teacher’s hairdresser who swears by her
boss’s father’s landlord’s highschool-sweetheart’s step-brother’s
foster-mother’s car-dealer’s co-worker’s yoga-teacher’s nutritionist’s
fortuneteller’s dentist’s dermatologist’s great-great-great-grandfather’s
grave that all of it is 100% true.
Urban-myth, friend-of-a-friend-lore and bonfire-ghost-stories have
found a new digital home in the width of the internet called ”Creepy
Pasta” – edited, shared, copy-pasted anecdotes of the uncanny and
monsters created by many Frankensteins haunt the online-sphere.
SPOOKY PASTA takes the idea of a crowd-sourced monster as a starting
point, but aims to give it a physical existence in the gallery space.
The exhibiting artists are students from the art-department of Krabbesholm Højskole.
Photo by: Carl Holck-Larsen
Do Re Mi Fa SØ La Ti Do, 26th of August
Röj Forlag (NO/DK), Moon Space Books (SE), Edizzione Mulicolore (DE), Furore Forlag (AT), Jarko (SE), Kld Repro (DK), Drucksache (SE/DK) and more…
Strada del sole
Xenia Lesniewski (DE)
Press - release:
It always comes down to the question, if one is average, or... It's a pretty, little plaisir-dress. The thing about safety. The one, you search for. It's a complete feeling of faintness. Because, actually, you turn twenty, then you turn thirty and then you begin to construct a house.
Because, if you're sitting in an apartment by yourself, it's different again. Well, I also imagined it to be different.
And one time the shit was floating and the loo was clogged. So I took one of those sticks, from the branches and pushed it down the drain. But, if one is doing well? You can't say it that simply. You can't just say: One is doing well – or - one is doing poorly – you just can't.
And now I have been working for so long, I am actually a bit tired. It keeps getting harder and it really isn't pleasant.
But you can't just say everything all the time, - it's like that or like that. And in reality you know everyone's looking down the abyss.
And I am relatively settled somehow, but I depend on humans anyways. But you have to detach yourself from certain things. And it's better to detach, then to be stuck to them forever.
Birk Bjørlo, Signe Boe, Pia Eikaas, René Haustein, Lea Guldditte Hestelund, Daniel Kiss, Inga Krüger, Benjamin Zuber
You turn towards the bar, all seats are taken, but someone reaches over and passes you a sweet drink.
The taste of adolescence runs down your throat and you hear someone say:
“ You know that tale of the fox and the stork?
They invite each other to their homes for drinks, but the stork cannot drink from the fox's bowls, because they're too flat for his long beak,
and when the fox tries to drink at the stork's home, his snout can't reach down the absurdly tall glasses of the stork.
The moral – I suppose – must be that you should know your audience.”
“Or”, another speculates “it simply means, that form follows function.”
Allesverloren is both, a group- exhibition and a pub.
All artists made site-specific works for the occasion.
- Gisa Pantel
Carola Ernst (DE)
Future Shoe and Box - Face
Theodor Forsbeck (SE), Benjamin Orlow (FIN)
Press - release:
future shoe and box-face staring back at you
spot on eye while writing
spots on eyes while writing
future mold-face talking about plants
spot-face talking with plants, in the future
exotic by coloring
sensuous shoe, filling a small squared space
partly lit room showing a new pallet
depriving contemporary smiles
Röj på SØ
Sea of Love
Una Margrét Árnadóttir & Örn Alexander Ámundason
SØ is proud to present Sea of Love by Una Margrét Árnadóttir & Örn Alexander Ámundason
Una Margrét Árnadóttir (IS) graduated from Malmö Art Academy in 2013. Örn Alexander Ámundason (IS) graduated from Malmö Art Academy in 2011.
They usually work seperately but for this project they'll join forces. This will be their first solo-exhibition as a team.
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